故事是这样的：二战后的苏联，德国战俘营里来了个文盲老头。不过你要是真沉下心，会发现这些废镜头里全是戏，索科洛夫根本不急着讲故事，就把苏联军官从监狱拖到办公室这几步路给你演绝了。你要是平时就看不惯那种强行煽情的大制作，反而喜欢琢磨人性的灰暗面，或者对历史纪录片、严肃题材感兴趣，这部片绝对能戳中你的痛点。 ☆。:D。这种如解剖刀般精准的镜头语言，把宏大战争叙事拉回到个体呼吸的尺度。

　　In Skazka, Alexander Sokurov weaves digital magic to create a phantasmagorical vision of the Afterlife, worthy of Dante. But wait: are we in the limbo of Purgatory, or a paradoxical Paradise reserved for notorious men of world history? Mussolini, Stalin, Hitler, Churchill and more: all are present and accounted for. Since they exist only as archival media images, each figure comes in a serial set.
　　In the blackest of political comedies, these fallen men beg, in turn, to be let through Heaven’s Gate – but the angels who peek through never open wide. Little wonder, as the former leaders wander listlessly, bitching (in a Babel of multiple languages) about each other’s clothes, hair and hygiene.
　　In what is effectively a work of animation, Sokurov has pulled together many talents into an extraordinary technological feat. It blends pictorial elements from art history to form an endlessly unfolding landscape, replete with fog and ghostly armies of the sacrificed victims of history. Announced as Sokurov’s last film, Skazka is an inspired riff on the high culture of Peter Greenaway mixed with the low culture of mash-up artists Soda_Jerk. Can we now expect some entrepreneur to bring us the interactive Skazka video game?

相关搜索：