故事是这样的：一个偏远的宗教社区里，虔诚的信众开始接连出现诡异的精神失常迹象，负责调查的心理医生（雷豪特·比瑟马克 饰）发现所有线索都指向一本被禁的古老手稿。整部片子像一根慢慢拧紧的弦，所有恐怖都来源于日常被悄悄扭曲：邻居的微笑、教堂的钟声、甚至家里门缝透进来的光，都变得可疑。男主比瑟马克演的那个小角色，眼神从懵懂慢慢变疯，特别真实——他慌的时候你也跟着心里发毛。如果你想看一部不靠血浆、却会在睡前让你反复检查门锁的心理恐怖片，这部比那些套路化的驱魔片聪明得多。 ☻。每一场对话都暗藏信息差，声效设计刻意剥离传统惊悚配乐，转而用环境中的低频嗡鸣构建持续的不安感。

Didier Konings’ simmering mediaeval horror Witte Wieven explores the confluence of religion and patriarchy in an excessively puritanical Dutch village. Blamed by her community for being childless, Frieda immerses herself in prayer and ritual. When she returns unscathed from the forbidden forest surrounding the village, having evaded a lecherous butcher, she is condemned as an agent of the devil. Frieda, however, finds new faith in the dark powers that inhabit the woods.
　　Shot in a reduced colour palette at the edge of visibility, Konings’ gripping film constructs a convincing pre-modern society whose practices it elucidates with patience and attention. Although set in the Middle Ages, Witte Wieven displays an unmistakably contemporary spirit, crafting a feminist parable about women discovering new ways of understanding their lives and the world.

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啵啵影院网友评论：异端 有些地方真的挺戳人，有些小表情、小动作挺真实的。看到一半的时候，细想的话问题还不少，几个镜头我还倒回去看了一遍。比很多只会喊口号的作品强。